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Arts & Entertainment - Reviews

In pictures: Wheely good fun at Pewsey Carnival's famous barrow race

Pewsey's famous wheelbarrow race returned to the streets of the village on Thursday night, ahead of tonight's illuminated carnival procession.

Hundreds of competitors donned fancy dress and pushed imaginatively-decorated wheelbarrows.

Photographer Jonathan Helps was on hand to capture the action.

Pewsey Carnival culminates tonight (Saturday) from 7.30pm with the ever-popular illuminated procession.

Click images to enlarge

 

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From violent village sports to missing bird species - the story of the Ridgeway as it runs from Berkshire to Wiltshire

Towards Uffington - by Anna Dillon Towards Uffington - by Anna Dillon The Middle Ridgeway and its Environment by Eric Jones and Patrick Dillon  (Wessex Books, 2016)

To mark the publication of this book, landscape paintings of the area by Anna Dillon (Patrick Dillon's daughter) - some of which illustrate this book - are being exhibited in the Chandler Room of the White Horse Bookshop in Marlborough High Street for the rest of September.

This book gives a lively view of the middle section of the great Ridgeway - "the oldest public highway in Britain".  It is the part that runs from Streatley in Berkshire westwards to Avebury in Wiltshire. The book makes the most of the area's historical and ecological records and some of its literary associations.

The authors have written an enthusiastic study of this ancient pathway - observing its landscapes, investigating its natural and cultural history and the development of its agriculture.

Along the way they have unearthed some fascinating stories and insights.  It as well to remember, as we worry over planning issues, that in the good old days of 1930 there was a Berkshire Regional Joint Town Planning Committee - even in those days they wrapped themselves up in words. 

A report written for the committee judged: "The downland area of Berkshire is a tract of country as unique and full of interest as the most absorbing parts of Wiltshire."  One up to the Wiltshire end of the Middle Ridgeway.

The book charts the changes in the fairs that dotted rural towns and villages.  Stanford-in-the-Vale's 'Veast' had as its 'dramatic centrepiece' a single-stick match - a bloody form of contest that perhaps has much less violent echoes today in the clashing of sticks wielded by Morris dancers.

Upham View - Anna Dillon  Upham View - Anna Dillon Another contest enjoyed at fairs - at least by the onlookers - was 'shin-kicking'.  This 'game' was 'even rougher than single-stick': "Shin-kicking meant putting one's hands on the opponent's shoulders and kicking away with one's work boots, while he replied in kind."  Both these fairground sports - along with various forms of animal baiting - were ended by the Victorian era's guardians of all things regarding health, safety and ethics.

When you see a pair of hares performing their rituals in the fields or on the downs, you can, with the help of this book, think back to the incredible popularity of the coursing hares with dogs and shooting hares that nearly led to their extinction in the area. 

In 1904 on the part of the Marlborough Downs' Meux Estate that lay north of the A4 a game bag was recorded that included 525 hares.

Coursing became something of a rural industry drawing enthusiasts and ne'er-do-wells from far and wide. In the Vale of the White Horse one landowner was so cross when the coursing fraternity decide to move away from his land, that he ordered the hare population to be killed off: "...a most dreadful warfare was lately waged in Ashdown Park, where in the course of a few days Lord Craven killed no less than sixteen hundred hares."

The quarrel did not last and coursing returned to the area and, as the authors write, "...hares began to be preserved again at Ashdown - preservation meaning kept alive to be courses."

The landscape paintings that illustrate this book by Anna Dillon are a refreshing reminder that the landscapes survive - remarkably intact - to be painted in a modernist and very appealing style.

Silbury - Anna DillonSilbury - Anna DillonThey give a fresh and vibrant view of the downs through which the Middle Ridgeway pass and remind us vividly of some of the landscape's major landmarks.

Many of Ms Dillon's paintings have distinct echoes or traces of geological maps and their colourful strata - giving us a suggestion of what lies beneath and helps form the landscape we see.

The book itself is full of strange facts and vanished times: the 'currier' was the man who added colour to finished leather - now he is relegated to a convenient word for crossword compilers. Lambourn once had a racecourse - it closed in 1803.  But the Lambourn Downs' dominance as a training centre for racehorses was slow to develop.  At one time horses had to be walked to the GWR station at Uffington - "until a branch line from Newbury reached up the valley of the River Lambourn in 1898."

The authors have a revealing chapter on the area's bird life - referencing among their sources 'a small book' published in 1869 and titled simply Birds of Marlborough.  It was by Everard im Thurn published when he was still a 'schoolboy' at Marlborough College: "...a remarkable compilation of local sightings and bird lore for one so young."

Birds, it seems, have long been subject to the changes in farming that in some parts of the country still afflict wildlife today.  In 1866 a rough-legged buzzard was trapped at West Overton.  Possible sightings of a golden eagle or two and the loss of the wryneck and the dwindling sightings of lone dotterel as they pass through the area, are mentioned.

The only problem with the book is that it concentrates rather on the Vale of the White Horse and does find as much of interest along the Wiltshire length of the Middle Ridgeway.

Discussing the area's bird life, the authors mention the decline in tree sparrows on the downs. But they do not mention the Marlborough Downs Nature Improvement Area and its post government grant successor 'The Marlborough Downs: A space for nature'.

Thirty-five farms working together over 25,000 acres of the Marlborough Downs along the Ridgeway have made and still are making a huge difference to the ecology - and, incidentally, they have been working hard and successfully to bring many more tree sparrows to the Downs.

However, do not let anyone put you off this book.  It is a mine of fascinating information and accessible history - with brilliant illustrations in the form of Anna Dillon's paintings.

[The paintings used in this review remain the copyright of the artist.]

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Rabley Summer Exhibition: seventeen artists showing talents nurtured at the Rabley Drawing Centre

Amanda Ralfe: 'Wiltshire landscape'Amanda Ralfe: 'Wiltshire landscape'Rabley Drawing Centre is renowned for high quality exhibitions throughout the year, but I wonder how many people are aware of the thriving workshop sessions which are going on in the surrounding studios.

This year's summer exhibition of fine art prints features 17 artists, some like Arran Miles, Penny Furbisher and Suzy Miles have been working with Rabley since the early days in 2004, while others are new or occasional participants. It is an excellent show where every piece is visually strong and all are showing great skill and technique.

If you are not familiar with the variety of printmaking techniques this is an excellent show to visit.  You won't find any explanations, but look at the work where it is clear to see the diversity of the discipline.

Compare the etched and inked lines of Beetroot by Serena Nickson to the block colour in the relief prints of Penny Furbisher or the delicacy of the chine colle used by Alison Grant against the bravado of a Jean Stibbon monotype. These verbal descriptions don't do justice to the contrasts which every artist in this exhibition is able to show within each piece of work.

Two of the artists have been selected for this year's Royal Academy summer exhibition. Amy Jane Blackwell is an accomplished printmaker who works as a technician to some of the UK's top artists. At Rabley she shows two small pictures, curious and compelling to look at and much more than they might at first appear.

Suzy Miles' 'Burning Bush' captures the vibrant colour of the willow tree in her garden, seeming so ridiculously flamboyant, you know she has been looking at and absorbing its reality.

Susie Whimster: 'Song of the Rain, Series 1'Susie Whimster: 'Song of the Rain, Series 1'The detailed work of Amanda Cornish uses photopolymer gravure where photography and printing collide - in this case to create a stark close up of natural forms like dark recently discovered black and white stills from a lost folio.

Two monoprints by Susie Whimster are light and full of air and atmosphere. These beguiling pieces appear to drop off the gallery wall in their weightless quality.

Rabley Drawing Centre is much more than just a gallery where you visit to stare at the wall.  Director Meryl Ainslie has created a friendly community where anyone can go and work with her excellent collection of tutors - however inexperienced an artist you might be.

The beauty of this exhibition is that it shows in the right atmosphere high quality work can be achieved. It is on for a short time but I recommend you go and look, marvel at the work and even buy something.

The exhibition is open from Thursday, June 30 to Sunday, July 3 from 110.00am to 4.pm.

Rabley Drawing Centre, Rabley Barn, Mildenhall, Marlborough, SN8 2LW (01672 511999.)  Further details on the Centre's website.

And there are more examples of the works in the Exhibition here.


 

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MantonFest rocks as fans defy elements and surfeit of food, beer and wine, and enjoy a great day out

“What shall we play now?” The question posed by John Steel, drummer with the Animals and Friends and the surviving member from the band’s inception in 1957, as they came back on to the stage at MantonFest for the encore.

Of course, it was the one number that they hadn’t played, the number that fans had been shouting out for the previous hour and a half:  ‘The House of The Rising Sun’, The Animals greatest worldwide hit from 1964.  Maybe ‘We've Gotta Get Out of This Place’ as encore would have been more appropriate, but the rocking crowd who had stayed and survived the showers, excesses offered by the Ramsbury Breweries beer tent and numerous excellent food outlets (“I need another Hog Roast” exclaimed Pete at about ten o’clock. “I’ve only had three so far, I’m not hungry, but I need another…..”) were in no mood to let the band go without that number, and they weren’t disappointed.

The Animals and Friends closed MantonFest 2016, a great line-up mixing big names - Dr Feelgood’s set was electric, sparking the crowd’s energy level of excitement with their mix of ‘Down by The Jetty’, ‘Roxette’, ’She Does It Right’ and other hard-driving classics - to the many excellent local bands on the bill such as Straight Six, regulars for several years and now playing their swansong performance, Barrelhouse, The Banned (even topping their last year’s stunning debut performance), The Clive Collective, Empty Gestures, Ukey D’Ukes, Smiley’s People, Skedaddle and The Harry Miller Band - a great new act who kicked off proceedings at the other end of the day.

A laid-back and relaxing mix of a music festival with a stream of accomplished sets and a family day out, with whole families from babes in arms to great grandparents setting up their own picnics wth gazebos, chairs etc all in a field that acted as a natural auditorium with everyone, everywhere being able to see and hear what was going on.  Swindon PA Hire provided the sounds and lights, and unusually for a local festival the quality of the sound system meant that everyone could enjoy all the performances.

“A great day” exclaimed Roger Grant, chairman of the organising Committee, “All the profits will go to ‘The Brighter Futures’ radiotherapy appeal at the GWH, not sure yet how much as we haven’t had a chance to count it all but it’s a good amount”.  And he promised to let us know how much when he had.

And next year? “The only promise we can make is that it will be at least as good as this year” said Roger, adding that “it’s a wonderful way to create a great fun day out for the while family whilst raising money for a fantastic charity”

Top that - not even The Animals and Friends, Dr Feelgood or any of MantonFest’s 2016 line-up could come close!

Click on pics to enlarge....

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Orchestra celebrates first decade in style

Marlborough Concert OrchestraMarlborough Concert OrchestraMarlborough Concert Orchestra celebrated its 10th anniversary on Saturday with a packed concert at St Mary’s Church.

The audience were treated to a wide range of music from the orchestra’s repertoire, including Rossini’s Overture from Il signor Bruschino, Beethoven’s Symphony No 2 in D Major, Tchaikovsky’s Marche Slave, Delibes’ Le roi s’amuse 6 airs de danse, Tahiti Trot (Tea for Two) by Shostakovich, and Rimsky-Korsakov’s Overture on Three Russian Themes Op 28.

During the interval, concertgoers were treated to Russian cocktails and William Tell cake on the lawn, while the performers gathered for their annual photocall.

The orchestra’s next major concert is on Saturday, December 3 at St Mary’s Church with a programme including Brahms’ Double Concerto in A minor, Op. 102 with Irene Enzlin and Mathieu van Bellen, along with Brahms’ Variations on a Theme by Haydn, Rachmaninov’s Vocalise for Orchestra, and Weber’s Invitation to the Dance.

For more information, log on to http://mco.org.uk

Mayor Noel Barrett Morton and other guests enjoy a garden partyMayor Noel Barrett Morton and other guests enjoy a garden party

 

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Review: St Katharine's School Art Week

Milo at the 'Shedstallation', which was decorated with the names of pupilsMilo at the 'Shedstallation', which was decorated with the names of pupilsMilo (9) reports from Art Week at St Katharine’s School

All this week I have just been doing my favourite subject, art, at St Katharine's primary school.

First I made a prayer flag. The Nepalese use elements of the earth on the cloth, and people hang them up high in the Himalayas. My element was fire.

We started on a draft sheet then went on to the real thing. I made a bright multi-coloured sun. We next spray painted our names on the school shed. I asked if mine could be right at the top, and I spray painted the 'M' in my name.

Shortly after, I went back in the class and everyone was drawing a dragonfly. We drew the dragonfly step-by-step in our sketch books. When I was almost finished Mrs Arnold, our teacher, told us to stop.

I was really proud with my dragonfly. We started a frog but shortly after the first stage I had to go to singing lessons; when I returned everyone had nearly finished.

On Tuesday, Penny's mum (Penny is a classmate) came in and showed us a colourwheel and how to draw fruit with a good background colour. Afterwards we made our clay tiles inspired by pictures of a pond, taken by Mrs Arnold.

On Wednesday we drew two other step-by-step sketches. The first was a bird - I think - a black bird. The second, a king fisher - I was very proud with both of them.

On Thursday I could paint watercolours on our kingfisher, dragonfly or frog; I nearly finished my dragonfly. We also weaved sticks with wool. I made a frame but most of the time I had to help everyone on my table. Luckily I finished but I was exhausted!

On Friday we drafted a Greek pot. We were meant to charcoal it on orange sugar paper, but I never got to that bit. Then we looked around our school pop-up art gallery with all the children's work created in St. Katharine's that week.

So all in all, a very busy week.

I've probably forgotten a lot of art I enjoyed. Just goes to show how busy I've been.

Origami fishOrigami fishPlaster cast leavesPlaster cast leavesPond life sculpturesPond life sculptures

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REVIEW: The school at Lockeridge - from icy cold winters to the arrival of the first BBC computer

A Village Education - The History of the School at Lockeridge by Ruth Lamdin (2015)

 

The building looks much the same as it did in the 1870s - though it has been expanded and, of course, modernised.  But what goes on inside Lockeridge School and the lives of its pupils has changed dramatically.

This is Ruth Lamdin's second history of a local school.  Her first told the story of the now defunct East Kennett school.  This book travels two miles from East Kennett to follow Lockeridge's village school as it developed over 120 years - up to the point the two schools were joined in a federation.

One of the advantages of the coming of universal education is that it allows us to take a close look at social history at a truly local level.  The history of earlier schools in the Parish of Overton cum Fyfield is now largely lost.

Ruth Lamdin, who lives locally, records: "In 1858, thirty infants were taught by an old woman in a cottage kitchen in Overton."  Twenty years later and the state was involving itself in their education.

She has mined the school log books kept so carefully by the head teachers at the school in Lockeridge and now held by the Wiltshire and Swindon Archives in Chippenham.  They record the arrival of a supply of "Pens, Ink, Paper, Pencils, Chalk and Penholders" in 1883 to this entry in 1983: "Today I collected the school's BBC computer from County Hall."

The Forster Education Act of 1870 made it possible for children aged from five to thirteen to be taught in 'elementary' schools - compulsory schooling to the age of ten became law in 1880.

From the decision to build a school in the village to its opening took just over four years.  That certainly beats the long and tortuous gestation period for Marlborough's new primary school!

In 1870, the impetus to start the school came from the government's decision to make a grant of £208 towards the £1,008 tender price for the building.  Another impetus was the Agricultural Children Act (1873) which ruled that children between eight and ten could only work on the land if they had received a set number of hours schooling.

Despite this law, there was in the school's early years friction between the need to educate and local farmers' need to employ young, cheap and agile labour.

The curriculum, Mrs Lamdin makes clear, originally concentrated on the Three-Rs with a strong element of religious instruction.  The introduction of a wider range of subjects - from carpentry to embroidery - was both gradual and erratic.

However from one entry in in the archived reports it looks as though one of the roles for PE - or 'drill' - was to keep the pupils warm in winter:  "January 1891 - Weather is so bitter that children are grouped in the middle of the room and do drill between every lesson to keep warm."

The first heating at the school - a Tortoise Slow Combustion Stove - was installed in 1899.  It is good too to be reminded that rural Lockeridge only got electricity in 1947 and mains water in the 1960s.  School meals began in 1943 - when family life was badly affected by husbands' absence in the services and wives were working in the fields.

A photo from the book: the playground in the 1940s - when hoops were made of woodA photo from the book: the playground in the 1940s - when hoops were made of woodRuth Lamdin takes the history in easy to follow themed sections.  So under 'Health' we learn of early efforts to improve the health and wellbeing of pupils through interventions at school - from dentistry, to measuring their weight to, in 1941, the start of a programme of immunisation against diptheria.

One of the most interesting aspects of this story is the role of women on the school's staff. The first head teacher, Miss Elizabeth Axton (from Salisbury Training College and on £50 a year) began with 43 children and was assisted by a 'monitor' - Eva Wallis. But eighteen months after the opening with pupil numbers rising, Miss Axton wrote "...the Managers consider it desirable to have a Master."

There was no other female head of the school until Mrs Goode appeared in 1940 - when men were in short supply.  When she retired in 1948 the Managers again wanted a headmaster.  But from 1881 to 1983 all but two of the assistant teachers were female.

Ruth Lamdin wonders why men were preferred.  At East Kennett most head teachers up to the last quarter of the twentieth century were women: "However, judging by the annual reports at Lockeridge, the men do not seem to have had noticeably more success than the women in raising standards."

The author gives life to the smiling - often grinning - faces that look out at us from the group photos - official and unofficial - that illustrate her book. It is a book that tells us an important part of the history of the local area.


Both books can be bought from the author: 

the Lockeridge history is £6 and the East Kennett history is £5 - or £10 for both - plus postage and packing.  

She can be contacted at This email address is being protected from spambots. You need JavaScript enabled to view it. or 01672 861550.

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